Journal of Contemporary Ethnography

 

Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Register here to gain access to SAGE's 500+ Journals Online

Click here to sign up for SAGE Journal Email Alerts today!

Sign In to gain access to subscriptions and/or personal tools.
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via ISI Web of Science (3)
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Mears, A.
Right arrow Articles by Finlay, W.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Journal of Contemporary Ethnography, Vol. 34, No. 3, 317-343 (2005)
DOI: 10.1177/0891241605274559

Not Just a Paper Doll

How Models Manage Bodily Capital and Why They Perform Emotional Labor

Ashley Mears

New York University

William Finlay

University of Georgia

Modeling is a challenging occupation because employment is irregular, the physical demands are great, and competition is fierce. Success as a model requires the careful management of bodily capital and the performance of emotional labor. Drawing on participant observations and interviews with models in the Atlanta fashion industry, the authors examine how they do the former and why they do the latter. They manage their bodily capital by subjecting themselves to intense self-regulation. Models perform emotional labor to sell themselves to clients and agents, to create illusions for observers and the camera, and to find dignity in a job that is often degrading and humiliating.

Key Words: models and modeling • emotional labor • bodily capital • fashion industry


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?


This article has been cited by other articles:


Home page
Human RelationsHome page
E. Kelan
Gender, risk and employment insecurity: The masculine breadwinner subtext
Human Relations, September 1, 2008; 61(9): 1171 - 1202.
[Abstract] [PDF]


Home page
Gender SocietyHome page
Z. F. Parvez
The Labor of Pleasure: How Perceptions of Emotional Labor Impact Women's Enjoyment of Pornography
Gender Society, October 1, 2006; 20(5): 605 - 631.
[Abstract] [PDF]